(timesofindia.indiatimes.com)
In a move designed to accelerate the development and adoption of next-generation 3D digital cinema, Christie® and James Cameron's Lightstorm Entertainment, Inc., have signed a milestone, five-year agreement to exchange research, testing, development and technical support on the industry's most exciting new technology. The cooperation between two of Hollywood's digital cinema powerhouses heralds a significant shift in how movies will be made and shown in theaters.
"I selected Christie for this 'journey of discovery' because the company is fully committed to my vision and shares my dedication to continually push the boundary of digital cinema," said James Cameron.
"Lightstorm is committed to realizing the full potential of 3D and high frame rate technology to fully immerse audiences in the world of the movie before them," said Craig Sholder, vice president, Christie Entertainment Solutions division. "This alliance promises to spark a new wave of excitement, creativity, and innovation in film-making that will provide audiences with an unparalleled sense of total immersion in the movie-viewing experience."
As part of its agreement with Lightstorm, Christie will supply the latest Solaria Series of 3D-capable projectors, ongoing access to emerging research and development on 3D, and input into Lightstorm's mission-critical engineering related to 3D and high frame rate innovation. Christie will also assist in outfitting Cameron's new production facilities, including two screening rooms that will serve as virtual production sites for the next two installments of Avatar, the most successful film in history using ground-breaking 3D technology from Cameron.
In exchange, Lightstorm will share with Christie its findings into 3D, high frame rates and the enhancements, format, and color space requirements for achieving the optimal viewing experience. This knowledge in turn will be used to enhance Christie's 3D technology as it relates to desirable projector and server functionality, as well as help Christie create market-leading tool kits for exhibition and post-production markets and applications. Lightstorm will provide sample content for testing and demonstration of technical enhancements, for the overall promotion of Christie's 3D technology.
Added Cameron: "At CinemaCon, Christie projectors were critical in helping me to demonstrate higher frame rates of up to 60 frames per second (fps) which dramatically improves the viewing experience. Most importantly, Christie engineers share the same passion for perfection, for continuously raising the standard of excellence that I do. I have full confidence that this collaboration will yield exceptional results."
"With the right server technology, our Series 2 projectors are already fully capable of being upgraded to deliver higher frame rates. Further collaboration will provide us with a wealth of information from Cameron's award-winning production studio that will allow us to rapidly advance our pace of innovation in the development of 3D," added Sholder. "Cameron demands - and delivers - nothing less than perfection in all of his movies, which do more than break global box office records. They are true cultural phenomena that mark new milestones in visual entertainment."
The Lightstorm and Christie agreement also provides Lightstorm with 24/7 access to the Christie Network Operations Center (NOC), call center support, and replacement parts that are included in all of Christie's warranty services to all exhibitors.
How Potentially Unhealthy the VFX Industry Can Be
(vfxsoldier.wordpress.com)The Animation Guild Blog has a post about an email sent by a VFX worker:
I am coming to a serious decision in my life….I’m getting ready to possibly leave the country I love (maybe for good) so i can find a new job. That’s how tough times have become.
I had two heart attacks by the age of 37 in this business. I got caught working 100 hour weeks on some summer blockbuster. On the 75th straight day of work (mandatory 7 day weeks/17 hour days) I fell asleep at the wheel and did two 360′s on the 10 freeway hitting 3 people. That was my only day off. I didn’t mind at the time I was making like $1000 a day.
The real problem occured after 3 months. I never looked in the mirror. With all the catered breakfast, lunchs and dinners, 12-15 hour days, I had shot up to 290lbs (I was 200 when i started the job). THats 90lbs in 3 months. Too many breakfast burritos…..and I smoked 2 packs a day….and drinking tons of coffee…….They took me to the hospital with chest pains around 120 days.
Certainly this artist made some bad choices: The over-eating, the smoking, etc. However it’s important to point out that as we are seeing our first generation of VFX artists hit their 40s and 50s, I’m starting to hear more stories similar to this.
Lee Stranahan mentioned that he had to leave the industry because of health reasons. He was diabetic and going blind. Some cannot attain private health insurance in their 50′s. Look at this long thread on CGTalk by young artists suffering from work related injuries. I also mentioned that I was developing a heart condition.
I haven’t been blogging much. Even though I work long hours, I have to run 4 miles a day to stay healthy and don’t have time to do anything else.
There’s a reason why the 8 hour work day was created: Eight hours labour, Eight hours recreation, Eight hours rest. After 8 hours of work productivity and health goes down.
Health is the most important thing and working in the industry compounds many health related problems. It’s difficult to see a doctor regularly when you are working long hours or constantly changing jobs and health insurance plans.
There is also the stinging bite of COBRA health insurance. In the US, when you are laid off, you are offered to continue employer health coverage and the average family’s monthly premium for COBRA is $1,137. It’s named after a venomous snake for a reason.
The Obama stimulus plan included a provision that lowered that average amount to $398. Unfortunately that program expired today.
Transformers Dark Of The Moon Arriving Sept. 30
(inquisitr.com)If you missed Transformers Dark of the Moon in theaters or you simply want to see the movie for a second time you’ll be able to pick up the movies Blu-Ray/DVD combo on September 30th while the 3D version is expected to arrive for 3D enabled phones at another time.
The movie earned $1.1 billion in worldwide box office, surpassing both of the first two movies in the series.
Buyers willing to wait an undisclosed amount of time will be able to pick up the deluxe Blu-Ray version if 3D isn’t their cup of tea.
California Legislature Extends Film Incentive Program for One Year
(hollywoodreporter.com)The California legislature extended the film production tax incentive program for one year early Saturday morning during the intense final minutes of the annual legislative session, but backers have vowed to renew the fight in January to get the full five-year extension they had sought.
The three year old program which provides $100 million annually in tax incentives for film and TV production has another year to run but proponents, with strong backing from the entertainment industry, hoped to extend it for the additional five years to ensure a stable production environment and make more money available. As it stands the final $100 million under a bill first signed by then Gov. Arnold Schwarzenegger would be used up by next July.
The bill had originally gone through the legislative process as a five year program, but two weeks ago was cut to one year as part of a budget compromise.
Then two days ago it was restored to five years as part of compromise tied to the tax plan pushed by Gov. Jerry Brown. That passed the state Assembly but stalled in the Senate, and died last night. So the tax incentives were cut back to one year and approved. Gov. Brown is expected to sign Assembly bill 1069.
One victory for the backers was that there is no “trigger” in the bill that passed. The earlier version had a “trigger” tied to the budget which could have limited the amount of money available under the program. Without the trigger, the full amount will be funded.
Opponents of the bill had argued that California is in a huge fiscal crisis, and doesn’t have the money to pay its bills as it is, so funds should not be allocated to the movie and TV industries.
However, backers, led by Assemblyman Felipe Fuentes said the incentives which offer up to 25 percent of what is spent in the state (paid after post production is completed) would keep jobs in California and produce tax revenue. They also pointed out that more than 40 other states as well as numerous foreign countries offer incentives to take those jobs away, and in many cases, such as the program in the states of Louisiana and Georgia, the incentives are more generous.
However California has the biggest trained work force, the greatest infrastructure (studios, labs, equipment, etc.) so producers prefer to be in the Golden State. In many cases it also allows them to sleep in their own beds at night which is a bonus, and saves on the cost of housing and feeding them and key members of their production team.
The compromise legislation was approved by the Senate early Saturday morning by a vote of 34 to 2. The original bill had passed the Assembly by 77 to 1.
Ben Golombek, deputy chief of staff to Assemblyman Fuentes, said that they will definitely put the bill for a full five-year extension back into the hopper when the state legislature reconvenes in early 2012.
Top Gun Being Converted to 3D
(The Hollywood Reporter) Tony Scott's Top Gun is being converted to 3D by Legend3D, says The Hollywood Reporter. The Tom Cruise-starrer, which originally earned $353.8 million at the worldwide box office in 1986, looks to be returning to theaters with the added dimension in early 2012.
The trade says a converted version of the 'Danger Zone' aerial flight sequence was previewed at the International Broadcasting Convention (IBC) in Amsterdam on Monday.
"As I understand it, they are planning to release it in 3D in early 2012, though I [know] they want to get Tony Scott's approval before they go forward," Legend3D CEO Rob Hummel said. "I think Top Gun lends itself to 3D due to the aerial flight."
He added that Legend3D has a revenue sharing deal with Paramount and is funding the conversions themselves.
UK Revises Shortage Occupation List to Cover VFX and 2D/3D Animation Skills
(7thspace.com) Today the Migration Advisory Committee (MAC) recommends the list be reduced to cover 190,000 employees [not migrants] or well under one per cent of the UK workforce. In 2008, before the MAC recommended changes to it, that list covered over one million employees.
The occupations in the list are the only positions open to migrants from outside the European Economic Area under the shortage occupation route of Tier 2 of the of Points Based System and Tier 2 is subject to an annual limit of 20,700.
The latest MAC recommended list provides a more detailed breakdown of the sectors of the labour market affected by shortage. This has enabled the MAC to identify individual job titles rather than broader occupations.
Chairman of the MAC, Professor David Metcalf CBE, said:
"Although the proportion of the labour market covered by our new recommended list is lower than before, our recommendation will have only a limited impact on migration volumes because overall migration through Tier 2 is limited. However, the list is more selective than before: it is targeted specifically on those job titles where there is currently a clear evidence of shortage.
"We think it is vital that the government, employers and the training sector take concerted action to raise the skill levels of the UK workforce, especially in long-standing shortage occupation areas. This will reduce the UK's reliance on migrant workers in the long term and provide real benefits for the economy as a whole."
A total of 29 job titles are recommended for removal from the list. They include: secondary school biology teachers; consultants in obstetrics and gynaecology; paediatric surgery; nuclear medicine and paediatric dentistry; veterinary surgeons; and tutti orchestral musicians.
The 33 recommended additions to the list include: consultants in emergency medicine; actuaries; specific roles within the visual effects and 2D/3D computer animation for film; television and the video games sectors; high integrity pipe welders; environmental scientists; and operations managers in the decommissioning areas of the nuclear industry and geochemists. These will help to ensure the UK remains a leading global player in these fields.
The government will now consider the MAC's recommendations and respond in due course. For a copy of the revised Shortage Occupation List please go to http://www.ukba.homeoffice.gov.uk/aboutus/workingwithus/ indbodies/mac/
What Does The Winter Hold In Store For Animated Films?
(wegotthiscovered.com)In the Fall, as the kids head back to school, the market for animated films bottoms out. In the next two months, Disney’s limited engagement 3D re-release of The Lion King, opening for two weeks only on September 16th, will be the only animated product in the market.
Fans of the genre will have to wait for winter before the next wave of animated features heats up. From the look of things however, it will be worth the wait. Winter heralds the release of a spin-off from a favored franchise, a blockbuster animated sequel and one of the most ambitious animated originals ever conceived.
Puss in Boots – November 4th
I was among many who rolled their eyes at Dreamworks’ attempt to keep the Shrek franchise alive by spinning off Puss in Boots. Now however, after seeing the film’s delightful trailer, it seems that Puss in Boots could be something more than just a cash grab cannibalizing a beloved franchise.
Antonio Banderas is once again the voice of the dashing kitty Puss in Boots who faces bandits attacking a small village. Puss is joined by his old friend and informant Humpty Dumpty, the voice of The Hangover star Zach Galifianakis, and Kitty Softpaws, voice of Salma Hayek, Banderas’s former Desperado co-star.
Happy Feet 2 - November 18th
Happy Feet 2 poster What Does The Winter Hold In Store For Animated Films?
When the original Happy Feet grossed more than $380 million dollars at the worldwide box office, a sequel became inevitable. That sequel, Happy Feet 2, arrives in theaters on November the 18th but don’t think that writer-director George Miller is merely recycling the original Happy Feet.
Yes, the movie will focus on singing and dancing penguins as the original did but Miller has recruited a couple of weighty new voices for the Happy Feet 2 cast.
Cast members include Robin Williams, Elijah Wood, Matt Damon and Brad Pitt, among others. Taking up the musical slack is pop superstar Pink.
Happy Feet 2 is also adding another popular star, the 3rd Dimension. The film will be released in 3D.
Arthur Christmas - November 23rd
arthur christmas What Does The Winter Hold In Store For Animated Films?
Sony is celebrating Christmas over the Thanksgiving holiday with Arthur Christmas. The original animated feature, Arthur Christmas features the voice of James McAvoy as Arthur, the son of Santa Claus. When Arthur sets out to answer the legendary question of how Santa delivers presents all over the world in a single night, he winds up on an unlikely journey that will bond him with his dysfunctional family.
Arthur Christmas has the dubious task of going toe to tapping toe with Happy Feet 2 in 3D at the box office; arriving just five days after the dancing penguin flick. Even with the aid of the usually bountiful Thanksgiving box office, Arthur Christmas has an uphill task opening so close to an expected animated blockbuster.
The Adventures of Tintin: The Secret of the Unicorn - December 23rd
It’s arguably the most ambitious animated movie of all time. Heavyweights Steven Speilberg and Peter Jackson have placed a $135 million dollar plus bet on motion capture animation and the appeal of the French comic strip The Adventures of Tintin.
Having the names Steven Speilberg and Peter Jackson on the masthead will help but given audience reluctance to embrace motion capture features (Mars Needs Moms, yikes!), even Speilberg and Jackson are no guarantee of box office success.
The Adventures of Tintin: The Secret of the Unicorn, intended as the first film in a trilogy, finds young newspaper reporter Tintin (Jamie Bell), along with his dog Snowy, encountering Captain Haddock (Andy Serkis) and eventually joining the Captain on the search for a treasure lost at sea that may be connected to one of the Captain’s ancestors. Simon Pegg, Nick Frost and Daniel Craig round out the voice cast.
Gore Verbinski Lowers The Lone Ranger Budget for Disney
The Lone Ranger production keeps taking one step forward and two steps back. As Disney continues to find out whether or not The Lone Ranger is in their budget, director Gore Verbsinki is making cuts into the budget and edits to the script to accommodate the studios demands. But even with all of the cuts, the constant tug-of-war between Gore Verbinski and Disney Production Exec Rich Ross has gone public and has some wondering whether or not The Lone Ranger will ever say “Hi Ho Sliver!”
Ross wants to make The Lone Ranger, but at a much lower price than Verbinski is asking for. In Ross’ defense, it is perhaps the most any studio would spend on Western. True Grit, the latest blockbuster western, was budgeted around $75 million. So for Verbinski to ask for the now reduced budget of $215 million, Ross has the right to put this film on hold until he finds the money to get this made.
But Deadline is reporting that Verbinski has the budget as low as he is willing to go. According to the report, if he goes any lower, Verbinski’s vision of The Lone Ranger will be lost and he is likely to drop out as director. Ross risks losing another piece of The Lone Ranger puzzle if there is a vacant director’s chair. Johnny Depp is also likely to leave the project if Verbinski leaves.
An insider tells Deadline that
“This isn’t about a specific number we’re trying to hit. At this point it’s about the vision of the movie and what is the price for that vision.” Disney privately admits it won’t make The Lone Ranger without Depp but didn’t know Johnny’s POV vis a vis Verbinski until very recently that the actor wouldn’t do the film without Gore. That made it all the more crucial for the studio and the director, with Bruckheimer, to see what they could do to lower the budget by examining every scene and discussing options. But there’s also another wrinkle: the release date. “Shooting wasn’t starting for quite a few more weeks so Disney didn’t think a definitive answer was is necessary on that just yet. But it’s harder to get a good release date than it is to move it.
As we all know, Verbinski is well-known for being an over-spender. His Pirates of the Caribbean films, although successful at the box office, went well over their intended budget, so Ross knows that. However, Verbsinki may be biting more off than he can chew, asking for $215 million for a Western. Sure, the Sancho Panza premise focusing on Tonto, the Lone Ranger’s sidekick, rather than the Lone Ranger himself is a sound one, but then you add the set pieces to the picture and you start to see the budget
increase.
J.J. Abrams Funds FactoryMade Ventures
(dmwmedia.com) With filmmaker J.J. Abrams as his principle investor, former William Morris Endeavor board member John Fogelman formally launched FactoryMade Ventures, a hybrid entertainment, media business development and consulting firm.
FactoryMade had alliances in place with global clients Telefonica, Hasbro, RTL Group and Intel by the time Fogelman made Tuesday’s announcement. Abrams (pictured) already has begun developing a project with the newly formed company, as have other talented creators including Michael Bay, Robert Rodriguez, Thom Beers and Whoopi Goldberg.
Initial plans for new ventures include original short-form programming, interactive viewing and gaming experiences, incubating projects for digital and mobile platforms, and launching cable and network television both domestically and in emerging markets such as Brazil, Peru and Colombia.
“We recognize the characteristics of the constantly changing media landscape that continue to shift our view of entertainment,” said Fogelman, CEO of FactoryMade Ventures. “We welcome the industry’s most imaginative and inventive minds to strategize new ventures with us and build them into fully fledged media businesses.”
FactoryMade also has a partnership with Spain’s Telefonica SA to develop content-driven businesses with Telefonica’s subsidiaries Media Networks Latin America SAC and Terra Networks SA, recognizing the growth in Latin America and the U.S. Hispanic market.
Abrams, who directed movies like Star Trek and Super 8, as well as creating or co-creating television series such as Felicity, Alias, Lost and Fringe, is a long-standing client of Fogelman’s. Abrams’ producing partner, Bryan Burk, also will be involved in FactoryMade. David Lonner of Oasis Media Group will continue as Abrams’ manager.
But why? Take a look: http://nymag.com/daily/entertainment/2011/09/jj_ abrams_deal_factorymade.html
Highlander Reboot Moves Forward
(Deadline) Spanish director Juan Carlos Fresnadillo (28 Weeks Later, upcoming Intruders and The Crow) is in discussions to direct the Highlander reboot at Summit Entertainment and RCR Media Group.
The director position became available when Justin Lin dropped out to make Fast Six for Universal Pictures.
In Highlander, after centuries of dueling to survive against others like him, Connor MacLeod, an immortal Scottish swordsman must confront the last of his kind, a murderously brutal barbarian, who lusts for the fabled Prize.
The original film starred Christopher Lambert and Sean Connery, while the syndicated TV series featured Adrian Paul.
Neal Moritz and Peter Davis are producing the new take, written by Art Marcum and Matt Holloway with a polish from Melissa Rosenberg ("The Twilight Saga").
Impact of NBN on Visual F/X Industry: Rising Sun Pictures and Animal Logic
(bhatt.id.au)The proposed National Broadband Network (NBN) will have an impact on many parts of our lives at work and home. I spoke with a variety of people in the Australian visual effects (VFX) industry about how the NBN could effect their industry.
Phil Sullivan is a classic example of how talented Australians in the VFX industry travel the world like a wandering albatross from project to project.
As a Motion Capture TD (Technical Director) and Animator his specialty is “synthesising life” and he’s applied this skill to movies and computer games such as Happy Feet 1 and 2, Heavenly Sword and LA Noire.
As much as he’d like to live in Australia near his family, the boom and bust nature of the VFX industry means he has to follow projects to the country they’re based in. So after completing his current contract working on Happy Feet 2 in Sydney who knows where he could be next, perhaps Wellington, Los Angeles, Vancouver or London.
Adelaide based Rising Sun Pictures (RSP) has recently finished work on the Green Lantern and Harry Potter 7 Part 2. Their previous success stories include blockbusters like Lord of the Rings: Return of the King, Batman Begins and Watchmen.
RSP co-founder Tony Clark told me that the NBN will not substantially change what Rising Sun Pictures does in the beginning but once the network has been rolled out across a substantial part of Australia it could have an important impact on how people in the Australian VFX industry collaborate on projects.
Clark’s description of how the VFX industry worked historically, presently and potentially in the future made it clear how the NBN is one of the progressions required to try and stay competitive with overseas rivals.
In the past big film studios such as Disney had their own VFX department, then they started outsourcing parts of films and by 1990 movies like Terminator II had their VFX done almost solely by one company, in this case George Lucas’ Industrial Light and Magic. Today VFX work for movies is often shared across many companies, with each winning 5-10% of the budget.
Clark harked back to a time when he had to arrange data tapes for work in progress to be shipped overseas. The week long “lag time” between “packets” of a project was very frustrating as the VFX industry is all about creativity and it’s hard to be creative with such communication delays.
From 2000 onwards RSP sent Quicktime movies back and forth to customers. Files steadily grew larger in size and quality in parallel with the customer film studios expectations of creative communications moving to a practically immediate timeframe.
Even the fastest ADSL transfer speeds became too constraining so RSP setup a private high speed network called Cinenet with the financial assistance of the South Australian Government, using the services of Agile Communications (sister company to ISP Internode).
The launch of Cinenet in mid-2004 had played a critical role in RSP winning the contract for Harry Potter and the Goblet of Fire according to Clark.
“The speed of Cinenet, combined with Rising Sun Pictures’ sister company Rising Sun Research’s client review software cineSync, allowed our work to be reviewed in Los Angeles and London faster than work from suppliers based in those cities” he said. Cinesync won the Academy award for Technical Achievement in early 2011.
What Clark envisages is a future world where he can assemble best of breed group of VFX artists in small teams of individuals working from home. To enable that he needs these talented people to have access to highly reliable NBN type ultra-fast broadband internet speeds. This would be “revolutionary for distributed film making workflows” he said.
Even if it could be done at a cost premium to ADSL2+ of several hundred dollars per connection it would enable VFX talent outside the big cities to participate in RSP projects, for example a cluster of people who live on the north coast of NSW. At the moment they are willing and available but lack the necessary connectivity.
Clark said that “looking at the NBN wholesale price list it’s very much within the reach of a professional worker to have the kinds of speeds at their home office to compete with big companies on a level playing field”.
Animal Logic (AL) is another prominent Australian VFX company, working on projects such as The Matrix trilogy, 300 and Australia. AL recently won the lead role in a big 2 year project, the $65 million Walking with Dinosaurs 3D feature film which means a large portion of that production money will be spent in Australia.
Guy Griffiths Director of Research & Development at AL notes that a key characteristic of VFX digital animation is that it’s almost all in front of a computer. Specialist programs like Maya are used to make files that are handed on to the next person in the production chain.
The amounts of computer data generated during work on projects such as the recent Legend of the Guardians: The Owls of Ga’Hoole movie require backing up colossal amounts. It’s not surprising that VFX files are delivered to the customer at present via packing cases of hard disk drives as well as by network file transfers.
VFX work is project based and requires flexibility to scale up access to specialists in different areas at short notice. Ubiquitous consistent speed network file transfer capability would allow new ways to tap into VFX talent regardless of their location. Once there’s a distributed workforce Griffiths wonders how they can be managed, it’s not just about fast file transfers he said.
He told me that AL would need new innovative services to utilise the NBN in order to work and communicate more effectively. Perhaps by looking at an adjacent telepresence wall (immersive video conferencing) in order to talk to a remote colleague rather than initiating a cumbersome video chat through a computer program.
Griffiths is certain that when the NBN is in place imaginative solutions which we can’t imagine now will be created, however there is a fair way to go yet. The NBN could allow innovation and experimentation but companies like AL can’t make business decisions around it until it has a critical mass of availability.
If Australian VFX companies can leapfrog their overseas rivals by using the NBN to connect to talented staff offsite, it could be a factor that allows more projects to be won. These could employ talent within the industry like Phil Sullivan so they can spend more time living, working and spending their income in Australia.
AL Creative Director Bruce Carter told me that “talented people in the VFX industry are mobile nomadic artists who go from project to project around the world, balanced by a core group of older staff who stay put as they have families here … so clearly if there’s a deep talent pool nearby that’s good for AL” and by extension for the rest of the Australian VFX industry.
However it will take more than the NBN to do this because at present the high value of the Australian dollar and more generous tax breaks offered overseas are making it relatively expensive for big film studios to create movies in Australia.
James Cameron Developing "Walking With Dinosaurs 3D" Film
(worstpreviews.com)BBC is moving forward with "Walking With Dinosaurs 3D," a $65 million live-action CGI theatrical film based on the hit TV mini-series. James Cameron is on board to use the same technology he used on "Avatar" to bring the dinosaurs to life.
Reliance Pictures is financing the movie, which will be shot in Alaska and then move to Australia for the animation portion. 20th Century Fox is planning to release it in US theaters late 2013.
"Our goal was to create a brand name that was associated with quality in 3D," Cameron said about his CPG company. "To do that, we had to have the best technology we could come up with in-house and operate that technology in the field, and most importantly we had to form alliances and partnerships with people who also want to do high-quality 3D."
The Latest In Movie Special Effects: CG-Eyebrows
(themarysue.com) Brooke Shields and Peter Gallagher will be thrilled about this, and James Cameron is going to get a million ideas! Will computer-generated eyebrows be the wave of the future, finally give every pitiful actor the chance to express themselves even better through the curtains over the windows of their souls? I dunno guys, I think this is gonna be huge. But I’m going to have to insist on 3D if it does happen.
VIDEO - Take a look: http://www.themarysue.com/cg-eyes/
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